With its connotations of superior moral integrity, exceptional leadership qualities and expertise in the science of government, the modern ideal of statesmanship is most commonly traced back to the ancient Greek concept of πολιτικός and the work of Plato and Aristotle in particular. Through an analysis of a large corpus of modern English translations of political works, built as part of the AHRC Genealogies of Knowledge project, this case-study aims to explore patterns that are specific to this translated discourse, with (...) a view to understanding the crucial role played by translators in shaping its development and reception in society. It ultimately seeks to argue that the model of statesmanship presented in translations from ancient Greek is just as much a product of the receiving culture as it is inherited from the classical world. (shrink)

First published in 1994, this scholarly edition of a major Renaissance text is edited and introduced by John Henry Jones, a leading expert on the Faust legend. The English translation of the best-selling German Faust Book of 1587 has long been known as Marlowe's principal source for Dr Faustus. The earliest surviving edition of this translation, published in 1592, is here presented complete, in modern spelling and with a line register for reference, together with full details of all (...) alterations and omissions from the German source. Textual comparisons with Doctor Faustus and with later editions of the English Faust Book provide crucial information in the development of the Faust theme in England and Germany. In an introduction making full use of hitherto unpublished research, Dr Jones offers new arguments both on the dating of Marlowe's play, and on the personal history and probable identity of the original translator of the German Faust Book, known only as 'P. F. Gent'. (shrink)

Si la discussion présente — comme la poésie — quelque au-delà d'ordre ontologique, il nous ferait plaisir de reprendre les points posés par M. Brault dans son post-scriptum à un récent article* …D'abord il était question d'éviter les « à peu près» quant aux bases de discussion valable sur toute poésie; or, le but de notre exposé ne visait certes pas à polir une définition originale; il allait de soi que nous faisions nôtres les acceptions généralement admises, à commencer par (...) celles de M. Brault. La poésie est rythme, chant, véhicule d'images — et de pensées — susceptibles d'émouvoir; témoignage de notre soif de certitude, prière … II n'en est pas moins vrai que, pendant des siècles, le concept a maintenu gaillardement ses droits dans l'expression poétique à côté du frisson causé par des impondérables et sans toujours, immanquablement, lui nuire. La poésie de Racine est tout de meme conceptuelle; et celle de Vigny — et celle de Chateaubriand si, comme on nous le fait justement remarquer, la poésie dépasse le cadre d'une prosodie plus ou moins traditionnelle. (shrink)